Bugs and Rats/Northern Liberties Split 7″

Released: June 30th, 2006

Title: Bugs and Rats/Northern Liberties Split 7″

Details: Limited to 300 copies + 3 Black Test Pressings, Northern Liberties’ 150 in clear blue vinyl, with blue cover background. Bugs and Rats’ 150 in opaque yellow vinyl, with yellow cover background. All copies with lyric insert. Cover art by Mandy Katz, Label art by Mo. Hand screen printed covers by Kevin Riley.A few nice CDRs also out there.

Label: Worldeater WAR033 – Notcommon NC16

Tracks:
Side A – Bugs and Rats
1. Ban on Smoking
2. Robotrippin

Side B – Northern Liberties
1. Etheric Flame

Listen on the BC Page
Out of print

Northern Liberties – Secret Revolution (Slug and Lettuce #87, Spring 2006)

The new NORTHERN LIBERTIES CD has come out and it is amazing! Really, it is so good. If there was ever a band in Philly that gets overlooked it’s NORTHERN fuckin LIBERTIES. They have a sound that goes beyond explanation. Similar to the band that once called Philly home, MACHINE THAT FLASHES, NORTHERN LIBERTIES is a percussion and bass combo overlaid with vocals. A fellow named Justin belts out bizarre lyrics with a sense of infectious madness. Here are the words to Midnight Train To The Dogfood Factory – “O canned food, Broken hearts, Heads on sticks + burning cars, Flightless birds + sightless worms, Fly into a black sun, that never burned – Midnight train – pulls away – Destination: Death Factory.” Yes, their words are out there. Seeing them live sometimes gives me goosebumps it is so- so- fuck, words fail me to get the right mood, and the sound they build. Comparisons – humm. a bit Joy Division, with part Fugazi and an added touch of heaviness, it’s damn intense. Definitely if you want to check out a band that is pushing boundaries that need to be pushed, it is NORTHERN LIBERTIES. The recording they built sounds real good and the CD is filled with Justin’s artwork – intricate drawings that make me think of what Nick Blinko would do if he ended up squatting in Philly during his formative years…

— reviewed by – MIKE STRAIGHT from SLUG AND LETTUCE number 87, Spring 2006.

Northern Liberties – Secret Revolution (DISAGREEMENT.NET, May 2006)

Some bands just follow the fashion and bore the hell out of me. Rarer are those that find a niche of their own. They also don’t make life easy for the common music reviewer, but at least they command our undivided attention. Philadelphia three-piece Northern Liberties, founded in 2000, only need drums, percussion, bass and vocals to make their music work. Of course this is conjuring images of NoMeansNo and Ruins, and strangely enough Northern Liberties cover a song by a band called Ruin (not Ruins). Secret Revolution is basically a rock album, where the bass is played like a guitar, giving the music a weirdly humming and droning sound. The lack of guitars puts the music into a very deep register, but Justin Duerr’s vocals sometimes have this enigmatic punk quality that gives the songs a festive ambience. His brother Marc enriches the songs with his busy drumming, while bass player K. provides melody and rhythm. Northern Liberties are best when they are carried away by big melodies, like on Angels With Broken Glass Teeth and Long Distance Shadow. Their punk roots are showing when they cover Ruin’s Great Divide or on the Fugazi-like Auto Pilot. The album’s only problem is that one hour is just too long for this genre so full of detail. The artwork has been created by singer Justin Duerr, who combines exceptional technique with a weird twist of spirituality into an artistic entity which is as original as it is beautiful to behold. Sold for only 6 US$ (plus postage if you live outside the US), Worldeater Records distribute their releases for the lowest possible price. Those who are into guitar-less alt punk rock music which is experimental and catchy at the same time, will have to get a copy of Secret Revolution.

— DISAGREEMENT.NET, May 2006